40 minutos
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Michèle Giraud
Self
Yves Beneyton
Self
Pierre Clémenti
Self
Margareth Clémenti
Self
Francis Conrad
Self
Barbara Girard
Self
Billy Copley
Self
Michael Ratledge
Self
Cyrille Weiss
Self
Priscila Scanio
Self
Olivier Mosset
Self
Dennis Berry
Self
Denis O'Leary
Self
Jean-Pierre Scant
Self
Michel Asso
Self
Michel Auder
Self
Juliet Berto
Self
François De Menil
Self
Piero Heliczer
Self
Nicole Laguigner
Self
Taylor Mead
Self
Véronique O'Leary
Self
Étienne O'Leary
Self
Frédéric Pardo
Self
