20 minutos
There is no dialogue or explanatory scenes at all, and the visuals unfold endlessly as information that appeals directly to the emotions rather than the feelings. The screen is divided into two halves and twice the usual amount of footage is shown, or the same image is shown one after another from different angles. As a result, the audience's brain comes to judge that the corpse is as beautiful as the body of a young woman who has just climbed out of a swimming pool. This film lets us experience a new relationship with images.
