Vilmos Zsigmond

1930-06-16 Szeged, Hungary

Biografia

Vilmos Zsigmond, ASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Wikipedia

Películas

	Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson		2019-08-23
	Spielberg	Self	2017-10-05
	Close Encounters with Vilmos Zsigmond	Self	2016-05-13
	Um Filme de Cinema		2015-09-15
	Black and White in Color: Vilmos Zsigmond on 'Blow Out'	Self	2012-11-21
	Side by Side	Self	2012-08-19
	Louis	Hungarian Photographer	2010-01-01
	A Cinematic Life: The Art and Influence of Conrad Hall	Himself	2010-08-03
	No Subtitles Necessary: Laszlo & Vilmos	Self	2009-01-11
	Who Needs Sleep?	Self	2006-01-01
	Final Cut: The Making and Unmaking of Heaven's Gate	Self	2004-10-08
	Z Channel: A Magnificent Obsession	Self	2004-05-16
	Imagining Images	Self	2003-09-16
	Return of the "Hired Hand"	Himself	2003-01-01
	Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood	Self	2003-03-09
	Who Killed 'Winter Kills'?		2003-03-18
	Vilmos Zsigmond Flashes 'The Long Goodbye'	Self	2002-09-17
	'Obsession' Revisited	Self	2001-06-26
	The Making of 'Close Encounters of the Third Kind'	Self	2001-05-08
	Ljuset håller mig sällskap	Self	2000-08-26
	Big Guns Talk: The Story of the Western	Self	1997-07-27
	Maverick	Albert Bierstadt	1994-05-20
	Visions of Light	Self	1992-09-17