109 minutos
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Gabi Herz
Eva (segment "Gluttony")
Michael Dick
Adam (segment "Gluttony")
Kate Valk
(segment "Greed")
Rosemary Hochschild
(segment "Greed")
Roberta Wallach
(segment "Greed")
Suzanne Fletcher
Blonde (segment "Greed")
Luis Guzmán
Lotto Man (segment "Greed")
Alan Colmes
Participant (segment "Anger")
Sonia Wieder-Atherton
(segment Portrait d'une Paresseuse)
Chantal Akerman
Woman (segment Portrait d'une Paresseuse)
Susanne Widl
(segment "Lust")
Peter Weibel
(segment "Lust")
Ged Marlon
(segment "Envy")
Evelyne Didi
(segment "Envy")
Remi Deroche
(segment "Envy")
Manuela Gourary
(segment "Envy")
Delphine Seyrig
Kabuki Theatre Lady (segment "Pride")
Irm Hermann
Superbia (segment "Pride")
Else Nabu
Procession member (segment "Envy")
Wolfgang Petrick
Procession member (segment "Envy")
Gabriele Heidecker
Procession member (segment "Envy")
Bernhard Jahn-Chor
Procession member (segment "Envy")
